免费发布

FREE计划丨卡皮西纳 · 拉加特 & 安托万 · 佩罗托双个展「漂泊着」免费公众开放中

Sat, 07 Sep 2019 15:00:00 GMT+08 ~ Fri, 27 Sep 2019 17:30:00 GMT+08
Limited 500
大学生艺术博览会

Show

Please select the order price

第三方登录:

More Details

Event DetailsHide...

开幕  2019年9月7日15:00

展期  2019年9月7日~9月27日(周一至周五 9:30~17:30,周六 10:00~18:00,周日休馆,中秋假期9月13-14日休馆

地点  广州市越秀区东湖路123号之二,FREE空间

 免费入场 

主办  大艺博




此次展览的作品来自一对法国艺术家组合Capucine Lageat(卡皮西纳 · 拉加特)和 Antoine Perroteau(安托万 · 佩罗托)。他们一起创建了静止图像与移动影像之间的连系。他们的研究聚焦于不同的城市空间,例如英格兰去工业化的街道、法国飞碟形状的运动场、罗马法西斯时期建立的街道,还有北京的胡同。


在不同城市的漂泊与实践,让他们对地方记忆产生了浓厚的兴趣,特别是那些拥有欧洲工人历史印记的地方。这种行走更使他们对空间变换和由此产生的景观变迁产生了一种全新的认识。


他们的实验引导他们创建新的地形文件,通过多种视角重构图像或使用档案。他们的实践通过虚构空间与真实地域,通过照片、影片与绘画,对空间的感知提出了质疑,并从空间的概念上,提出了一个对城市空间的关键处理方法,以及它被公众利用的可能性的建议。




  艺术家自述


我们的研究重点集中在地方的记忆以及形象与政治的关系上。我们的第一部公共影片《大联盟运河》总结了我们的尝试:一位摄影师在英国的废弃工业区徘徊,试图通过摄影寻找被遗忘的过去的痕迹,一份被压抑的人类的记忆。在这片废墟中,只有工业烟囱看上去仍保留着人类过去存在过的记忆。


我们用工厂的主题去表达工人阶层的消亡,至少在象征性层面上。在一个去工业化和大众阶级兴起的欧洲,如重组后的一系列图纸所示,我们建议对已经没有工人的空置的工业遗产进行文化占用。在飞碟形体育馆这件视频装置中,对工人阶级的消亡有着更清晰地表达:我们会听到好战分子莫里斯 · 索雷斯乐观的演讲,不合时宜地鼓舞着缺席的人群以及那些空置并废弃已久的座位。


毫无疑问,这是对记忆的一种不稳定的探索,同时促使我们进行地理上的漂移,无论是在虚构的领土上,如航海图所示,还是在实际的领土上,如罗马的欧元区,而我们的漂泊路线很大程度上得到帕索里尼、费里尼和安东尼奥尼的小说的指引。这些坚定的电影制作人的作品拍摄于法西斯主义者建立的一个社区,暗示了在欧洲法西斯主义复苏之际,对墨索里尼时代建筑进行有艺术感的和大众化的利用的重要性。


我们在北京胡同里的大量拍摄与其说是为了寻找记忆,不如说是为了一个显著的现实:北京市中心的民居正在迅速变为旅游观光点。视频《Time Ellipse(时间的弧线)》通过北京胡同的地貌特征显示,这些街区在它们即将被破坏前,在居民的意识中,在游客的眼中,正在变成回忆。后来,我们看到一些卫星照片,很明显可以预见这些被侵占的胡同地区的消失。这就是为什么我们创作了一个装置,重构了一份跨越了2002年到2018年的北京地图。


我们很高兴今天在中国首次展出这些作品。当前中国城市翻天覆地的变化与欧洲的缓慢变化相呼应,这就是为什么我们认为关于城市景观尤其是旧工业空间的转型的议题同样适用于中国的原因。工厂和城市都是公共领域的空间,所有人都有必要运用他们的想象力来使用它们。为了更好地利用空间,首先要学会迷路,学会漂泊,学会通过真正的观察了解这片土地。





  部分展览作品

HUTONG STORIES-Time ellipse

胡同叙事-时间的弧线

时长9'45''

装置影像

2018



HUTONG STORIES-Urban Macro-geology

胡同叙事-城市宏观地质学

尺寸可变

装置

玻璃喷墨打印

2018

* 图为法国版,中国版造型有调整



HUTONG STORIES-Virtual authenticity

胡同叙事-虚拟真实

时长2'03''

环形影像FHD.三维动画

2018



The Concrete Saucer

混凝土飞碟

时长4'56''

影像

2018




Grand Union Canal

大联盟运河

时长4'41''

影像

2017



EUR-Behind the Italian camera

罗马城市探索-意大利式的镜头之后 

40×40cm(单幅)

摄影

1/25

2019






英文原文



Adrift


This exhibition assembles works by the french artist duo Capucine Lageat & Antoine Perroteau. Together, they create links between still images and moving images. Their research focuses on various urban spaces, such as a deindustrialized district in England, a flying saucer-shaped gymnasium in France, a district built by the fascists in Rome or even the hutongs of Beijing. 


Through their practice of the urban drift, they are interested in the memory of places, in particular places marked by the workers’ history in Europe. Their drifts allows them especially to have a new reading of the transformations of space and the resulting transfigurations of the landscape.


Their experiments lead them to create topographic documentations, to recompose images with multiple points of view, or using archives. Through imaginary spaces and actual territories, through photography, film and drawing, their practice questions the perception of space, in terms of its conception, propounding a critical approach to the urban space and suggesting its possibility of popular appropriation.




Artist Statement

 

Our research focuses on the memory of places and the relationship of the image to politics. Our first common film, Grand Union Canal, summed up our attempts: a photographer, wandering in an abandoned industrial area in England, was searching through photography for traces of a forgotten past, the memory of a repressed humanity. Only industrial chimneys seemed to retain the memory of a human presence in this devastated area. 


The motif of the factory allowed us to express the disappearance of the working class, at least on a symbolic level, in a Europe in the grip of deindustrialization and the bursting of the popular classes, as in the series of drawings After restructuring , with which we suggest the cultural appropriation of the industrial heritage emptied of its workers. The disappearance of the working class is more clearly expressed in the video installation shot in a flying saucer-shaped gymnasium: we hear the optimistic speech of militant Maurice Thorez echoing anachronically an absent crowd and some empty and long date abandoned seats. 


It is undoubtedly an erratic quest of remembrance and memory which also pushes us to drift topographical, whether on a fictional territory, as in the drawings on nautical charts, or on a actual territory, as in the EUR district in Rome, where our drift was notably guided by the fictions of Pasolini, Fellini and Antonioni. The works of these committed filmmakers, filmed in a neighborhood built by the fascists, suggested the importance of a sensitive and popular appropriation of these architectures from Mussolini era at a time of resurgence of fascism in Europe. 


Our excesses in the hutongs of Beijing were less related to the search for a memory than to a striking reality: the rapid transformation of popular dwellings into tourist imitations in the center of Beijing. The video Time Ellipse, through its topographical character, shows neighborhoods becoming memories in front of their imminent destruction, both in the minds of the inhabitants and through the eyes of tourists. Looking at some satellite photographs later, we were able to visibly estimate the disappearance of these areas of popular appropriation, the hutongs. That's why we created an installation recomposing an intertemporal map of Beijing between 2002 and 2018. 


We are pleased to present those works for the first time in China today. The current transformations of Chinese cities echoes the slow changes in Europe, which is why we think that questioning the transfigurations of urban landscape, especially the old industrial spaces, also applies to China. The factory and the city are spaces of the public domain, and it is necessary for all to appropriate them, starting with their imaginary. To appropriate the space begins by learning to get lost, to drift, and getting to know the landscape by truly looking at it.




END





关注青年艺术

关于中国未来创作力量



  FREE计划 

大艺博青年艺术家扶持项目


一个由专业机构推出的青年艺术家个展扶持计划

帮助富于潜质的优秀青年艺术家开启职业生涯



   展览信息

 Capucine Lageat & Antoine Perroteau 

Adrift

展期  2019年9月7日-9月27日(周一至周五9:30-17:30,周六10:00-18:00,周日休馆,中秋假期9月13-14日休馆)

地点  广州市越秀区东湖路123号之二,FREE空间

 免费入场 

主办  大艺博




   交通贴士

广州地铁6号线东湖站B1口出来右转,步行100米即到FREE空间






Event Tags

Recent Participation

Perhaps you'd be interested in

Question

All Questions

  • 王文旭 1年前

    请问9月15号,也就是本周日开馆吗?

    0

Location...(Map Detail)

OrganizersMore

大学生艺术博览会

大学生艺术博览会

大学生艺术博览会(大艺博)创办于2012年,迄今已在广州成功举办六届博览会,是国内最大规模的集中展示美术专业当届毕业生艺术创作与艺术探索的平台,囊括国内最具艺术才华、最具市场前景、最具艺术价值的优秀青年艺术家,因其丰富性、广泛性、代表性、前瞻性、权威性,成为吸引大量艺术机构、投资人、爱好者的艺术盛会

WeChat Scan

Share to WeChat→

Event Calendar   Sep
M T W Th F Sat Sun
31 1 2 3 4 5 6
7 8 9 10 11 12 13
14 15 16 17 18 19 20
21 22 23 24 25 26 27
28 29 30 1 2 3 4